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My mom has been occasionally making life-size paper mache' men to sit in cars with women driving alone (she's a doll artist and I don't think this is really any different). I started collaborating with her a few of them ago, because my faces are a lot better. The one before last, I took several pictures of it in process. This is built on a stick frame, something new she was trying successfully, and the hands are my work. The head was both of us, and the rest is all Momma. Enjoy.
I see a lot of X's.
Uno, since you encouraged me in the past to post pictures of my sculpture-type work here, this is a shot I call Diego, Diego & Diego. Left to right is Dora the Explorer's friend, my sister's dog and a mask I made of Mexican muralist Diego Rivera- also known as Frieda Kahlo's husband. The latter two are connected, as I created the mask for a show about Frieda Kahlo my sister was putting on.
...And I call this one "Frida, Frida - Fritos". I'm eating the prop right now.
So, I mentioned a while back about Buster being afraid of skulls. The &^%$#@! innerwebs just ate a nice long post about my careful program of desensitizing her, (she was so afraid that you couldn't take her anywhere without running into Johnny Depp and a certain pirate movie(s); it was a real problem). It isn't supposed to be anatomical; I wanted to suggest a skull in a less-threatening way. Rounded off/enlarged the eye sockets and left out a lot of detail. I let her control her first exposure to it, set up to be seen from a safe distance - and wonder of wonders, it did the trick! I finally found a picture of the mask. This was taken half an hour later:
See, that t-shirt would have been exactly the problem; Buster would have seen someone wearing that and turned it into a great big thing. She used to be so terrified of pumpkins that she could barely leave the house in October - until, as a demonstration (after a Halloween episode of Bernstein Bears) of how it was all pretend, I carved a jack o'lantern out of an apple in front of her...
...Incidentally, Buster's Aunt made me make her six more, which she painted as Day of the Dead masks. This is the wall over her desk in her office at college:
... They later painted it something garish, to my colossal regret at seeing good (and hard and lengthy) work covered up - but I suppose that was necessary part of letting her control the things she feared...
Tough to describe, but roughly, you cut some foot-long lengths of rope -maybe 8-10, but it depends on the thickness of the rope- loop them through whatever's attaching them to the helmet (I tied them to a small bracket I'd riveted onto the helmet) and tie them into a bundle. Start unraveling the strands. (This part is easy, but takes forever.) When you've finished, tie a hangman's knot an inch or two wide around the base - it hides the attachment and covers a multitude of sins - and start brushing out the strands. For a Grecian look, you wanna go a lot shorter than I did. I was aiming for a medieval knight look. Too get a good Greek fan/bush look, you really ought to fold the lengths of rope along another length, sandwiched/sewn to a strip of leather. Hold on - I'll see what I can sketch in a hurry. I wish my helmet wasn't a thousand miles away.
Sounds a little more involved than I really have time for. (Wed was the original due date on this, but it got pushed back to next week)
It may be. The unraveling and brushing is time consuming. Here's a very rough representation of the plume I made for my helmet:
And without the hangman's knot wrapping the base:
And here's the basic idea for the Greek-style plume. The rope is in black and the thick wire it's folded over is reddish and the leather it's to be sandwiched between is yellowish:
Now, I find myself wishing I was back in America, where I have the raw materials and tools, so I could try to make a brush plume...
Uno could probably make you deader...